Movie critics are infuriating, and, for the most part, pointless. Sometimes they coddle the Bollywood industry that produces mediocre recycled films. And sometimes they criticize the same industry for not having enough variety, in spite of knowing that this system has a 95% reservation for privileged Punjabi school dropouts with famous parents.
But recently the most infuriating critiques have been of Karan Johar’s Ae Dil Hai Mushkil. For Karan Johar to make a film where the hero and heroine do not end up together is great personal growth, even though he decided to make the woman terminally ill for refusing to sleep with Ranbir Kapoor.
A common complain that critics had with this film was that the major characters do not, in the course of the film have any jobs or any sort of commitment. But surely you cannot expect a horny toddler such as Ranbir to work for a living? And his nanny, Anushka had to quit her job after she married Fawad Khan. Aishwarya Rai Bacchan had to nanny Ranbir after she left, which didn’t work out. You know how children are when you suddenly change their favourite nanny. Just because people don’t have clearly stated professions such as DJ, poet and artist, doesn’t mean they don’t work for a living.
Another very severe criticism of this film was how Ranbir constantly keeps getting rejected by Anushka, and somehow understands at the end that she only wants to be friends, even though she had been saying so the whole time. It’s funny, I don’t remember anyone having a problem with the same end in alternate realities while watching Inception. (Yes, this is the Indian remake of Inception). At least Ranbir and Anushka don’t die at the end of every reality (well, almost).
It enraged some that Fawad Khan was part of this film. This protest, disguised as a nationalist agenda, was actually a secret attempt by Fawad Khan to unentangle himself from the giant Johar-hug that he had gotten into.
Not enough credit is being given to Ranbir Kapoor, the new SRK. He cried, behaved like a child, was the ideal spoilt hormonal MBA student. He went one step ahead and applied mehendi. He judged his girlfriend for cheating on him in the exact way he had tried to cheat on her a few nights ago and victimised himself. He even attempted to be sexist to his lover by commodifying her in front of her ex-husband. Albeit he was overshadowed by Mr. Khan himself, who did a much better job of glorifying perversion by speaking about obsessive behaviour in Urdu and making it sound like unrequited love. Ranbir even got physically abusive and wrecked the kitchen of a cancer patient in the end. Yet, he doesn’t have the command of Shah Rukh Khan. Star kids really are held up to an unrealistic standard.
This film is a milestone in Hindi cinema, which never got the respect it deserves. But if you haven’t watched Ae Dil Hai Mushkil, don’t worry; you have. Imagine you have made a variety of over-spiced but tasty dishes for dinner. Then imagine waking up the next morning, putting all those foods in a mixer.
‘The vomit that you produce after drinking that swill,
Is Ae Dil Hai Mushkil’